Vanguardia musical y autonomía. Una reflexión teórica

Abstract

 This study is a reflection about the concepts of musical avant-garde and autonomy of the art work, with the intention to verify breaks of the romantic paradigm at the beginning of the Sixties and its influence on the intertextual musical practices. In such sense, a comparison between avant-garde and neo avant-garde is made, taking into account, as well, the voices of the New Musicology with regard to the 'principie of separability' used by the paradigm of autonomy of music.