Scelsi en la corriente convencional. Una consideración acerca de su Trío à Cordes

Abstract

 Taking the Trío à Cordes by Giacinto Scelsi as a starting point, the author tries to demonstrate how the composer finds himself deeply enrooted in western musical tradition, as opposed to what is generally believed. For this purpose he is linked to aesthetic realism and the philosophical and musical significance of the conception of the opposites.