Introduction to formal analysis of Ginastera’s ‘objective nationalism’ symphonic works

Abstract

This article, part of a research project at UCASAL, is devoted to the analysis of works from Alberto Ginastera’s nationalist period, such as the ballet suite Panambí, dances of the ballet Estancia op. 8a, Obertura para el “Fausto” Criollo op. 9 and Ollantay op.17. After presenting a general description of each piece and reviewing relevant background information, the central focus lies in the musical analysis of the scores. The objective is to clarify the structure and order of the compositions through a form analysis of the themes in each movement and work, as well as the study of rhythmic groups. The purpose is to provide interpretative tools and a deeper understanding of these pieces for performers and others interested in the nationalist phase of Ginastera's work.